.
…out of lavender-blue soft
North
the night sky
and raining wealth
into the expansive
southern warmth
of mogul California
Pahn has
rented Quentin’s other house
while making a film
On the lawn
coming from the pool
wearing only a towel
the nanny dances
always turning away
when she shows her breasts
again and again
to the dawn wind
Upstairs
the dining room
has light purple walls
with pale green recesses
wood trim and neo-medieval lamps
The effect
is Waldorf-Gothic
clean
rich and Pahn likes it
even though it is foreign to him and it
reminds him
that he can’t always anticipate
something that might exist
before he sees it
In the bedrooms
under the thick quilts
Quentin
has left his children
Now he comes home
with a friend
saying
“Leave it to me to forget my kids”…
…Outside
in the low stratus dawn
with the surf
echoing off
the cloud ceiling
Pahn is scouting the first scene
in which
the man washes up on the beach
half dead
Pahn walks into the waves
to see if it is safe
to shoot this
in a rough sea
pretending to be half-conscious
limp
floating
in the spritzing foam
pushed
into the sand
and shells
the gravel
sliding into his trunks
deposited on the shore
he sinks slowly
back
into the brine silica oxygen
edge
North
the night sky
and raining wealth
into the expansive
southern warmth
of mogul California
Pahn has
rented Quentin’s other house
while making a film
On the lawn
coming from the pool
wearing only a towel
the nanny dances
always turning away
when she shows her breasts
again and again
to the dawn wind
Upstairs
the dining room
has light purple walls
with pale green recesses
wood trim and neo-medieval lamps
The effect
is Waldorf-Gothic
clean
rich and Pahn likes it
even though it is foreign to him and it
reminds him
that he can’t always anticipate
something that might exist
before he sees it
In the bedrooms
under the thick quilts
Quentin
has left his children
Now he comes home
with a friend
saying
“Leave it to me to forget my kids”…
…Outside
in the low stratus dawn
with the surf
echoing off
the cloud ceiling
Pahn is scouting the first scene
in which
the man washes up on the beach
half dead
Pahn walks into the waves
to see if it is safe
to shoot this
in a rough sea
pretending to be half-conscious
limp
floating
in the spritzing foam
pushed
into the sand
and shells
the gravel
sliding into his trunks
deposited on the shore
he sinks slowly
back
into the brine silica oxygen
edge
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