Dimphna
.
Crossing ....................the channel
..............from the mind
................................................lost
..............................................accosted
there is a forest.....................................................
a labyrinth of desire............................
the melting face..............
the paralyzed limbs
the subtle voices
...............................of pines
........the absurd protection
....................................of toadstools
accompaniment
.............................of grasses
......hiding stones
clarity brings us
safe....................
..............................................and honest longing
............................we are adoring
................we are lying
..............from the mind
................................................lost
..............................................accosted
there is a forest.....................................................
a labyrinth of desire............................
the melting face..............
the paralyzed limbs
the subtle voices
...............................of pines
........the absurd protection
....................................of toadstools
accompaniment
.............................of grasses
......hiding stones
clarity brings us
safe....................
..............................................and honest longing
............................we are adoring
................we are lying
........on a bed of blades
.
Lost Sequences of Personalities
In a workshop
of story fragments
Pahn sits on the
south side of the room
in an arc of desks listening
to Ahshehra talk and call
upon them to recite
and Pahn remembers having written
something He flips
through his papers finding
essay pages
and long-lines of prosy
phrases but
Lehsohveekha is it
her? Speaks
first
her words are lost now
and toward the end of
her page he hears
Dimphna’s voice
reading in unison
and recalls now that they
have collaborated in
his fondness for them
The class ends
and he watches them drive
toward the roundabout
in the coastal plain
then takes the roundabout
himself…
…soon he is riding
through the
rhythm-and-blues
neighborhood toward
the bohemian
district with an old
bluesman
on the radio He is following
a man on a
bicycle wearing
a faded orange-brown
blazer who turns and
smiles
back
at the sound
of the song
and begins
to sway with the
music
And Pahn
with the memory
of the class
with Dimphna and Lehsohveekha
behind him
now knows
he can dance with music
he always knew he had rhythm
but was unable to express it
jumping
and popping
his bicycle
down the block and
around
the
corner…
…he has arrived at the front of a store
that has the smell of recycled age—
the sharp edges and white walls
of fifties modern plastered
onto the frame
of indefinite past eras and layered
with post-modern decoration
It is
a palimpsest of influences—
Empire/
Eichler/
East Indian/
New England Collegiate/
Kinsey/
Adrienne Rich/
Silvia Plath/
Beatnik/
Hippie
Pahn
leaves his bike and meets
a young woman who?
in front of the store and
picks up there
a bounteous tangled soft
hank
of dull orange yarn
that he holds in his arms
like a child
dragging the loose loops
through the damp dirt
laughing
with the woman
and making jokes
of realizing it
was left there
because the end had been vomited on Swiftly
and confidently he
swings his hand
through the strands
like a sharp
knife
through soba noodles
freeing
the clean and happy
from the bedraggled
And Pahn
is so happy in the woman’s company
that he says
they should marry…
…he is inside the store
Rakhehla
is with him now suggesting
another woman whom
Pahn met years ago
but as
he peruses the rooms—
a vague venue
of books and paintings
objet d’art
and gauzy second-hand clothes—
he flirts
with the
Rakhehla-woman
saying beautiful things
to her as she
shifts
in and out of various loves of Pahn
slowly
gravitating into Dimphna
and after a
while
he is so happy with her that
he suggests
that they should marry also
but
reminds himself and
her
that he has just suggested
the same
to the other woman
outside
It is getting late
and she in her shy
contented
amour says
good-night to Pahn and
goes
to another room
where she lies down
sleepily
and happily
recounting to Rakhehla the lines of poetry
that he
has spoken to her
of how beautiful and loving
they were
and she
drifts
into a topographic sleep
while
Pahn slowly lifts
above the
building
seeing the first woman fade
into a valley
like Egairia
on a geologic map a
small
and level
glade in metamorphic terrain
seeing the second woman fade
into a valley like Djuturna
thin
and gentle
of light felsic terrain
sloping
gently
to the East
Squirrel
.
Pahn is walking about his pastures
accompanied
periodically
by Daphnis
and other children ....A squirrel
flits around them like a cat ...seeming
to ignore them .....but
staying close by
At one point the children ....excited
by the squirrel’s friendly
proximity .....reach
to pet him on the branch of a tree
Pahn is worried that the squirrel ..which is wild
might bite them.....
but they can’t resist reaching
....................................out to touch
The squirrel stays docile
................but is uncomfortable
with their petting against ...the nap
.............................................of its fur
Pahn sits .....in an armchair
.........................in his field ...among
the lichened boulders
and oaks .......to sew
and lets his head back ..........to rest ..The squirrel
comes and stands
on the arm
in its edge-of-calm
....cat-like ..sort of way
and Pahn..................................
can feel its frantic
heart-beat and panting.........
Pahn reaches slowly
.................to its head ....brushing
its fur gently
down its neck.................
and the squirrel flutters
calmly.....................................
from ...under his hand.........
...................hopping
about ...the chair
as if taking an interest
....................................in the sewing
It climbs down .....into Pahn’s lap
nibbling incomprehensibly
the jeans at his crotch
Pahn is afraid
but he can’t think
of any reason
that the creature would bite there ....so
keeps to his calm
and the squirrel .....eventually
stops and rests
.......affectionately
........in his lap
as Pahn gently caresses..................
................its back
Pahn wants..............................
to tell Ahlmah ..of his success
because Ahlmah
is untamed by him .....and he thinks
he could sit calmly at her side
and she would bring her affection to him
and soon he is standing.........
....and walking
................................through his meadow
talking warmly
with a woman
but it is Mayahri..............
.............................not Ahlmah
accompanied
periodically
by Daphnis
and other children ....A squirrel
flits around them like a cat ...seeming
to ignore them .....but
staying close by
At one point the children ....excited
by the squirrel’s friendly
proximity .....reach
to pet him on the branch of a tree
Pahn is worried that the squirrel ..which is wild
might bite them.....
but they can’t resist reaching
....................................out to touch
The squirrel stays docile
................but is uncomfortable
with their petting against ...the nap
.............................................of its fur
Pahn sits .....in an armchair
.........................in his field ...among
the lichened boulders
and oaks .......to sew
and lets his head back ..........to rest ..The squirrel
comes and stands
on the arm
in its edge-of-calm
....cat-like ..sort of way
and Pahn..................................
can feel its frantic
heart-beat and panting.........
Pahn reaches slowly
.................to its head ....brushing
its fur gently
down its neck.................
and the squirrel flutters
calmly.....................................
from ...under his hand.........
...................hopping
about ...the chair
as if taking an interest
....................................in the sewing
It climbs down .....into Pahn’s lap
nibbling incomprehensibly
the jeans at his crotch
Pahn is afraid
but he can’t think
of any reason
that the creature would bite there ....so
keeps to his calm
and the squirrel .....eventually
stops and rests
.......affectionately
........in his lap
as Pahn gently caresses..................
................its back
Pahn wants..............................
to tell Ahlmah ..of his success
because Ahlmah
is untamed by him .....and he thinks
he could sit calmly at her side
and she would bring her affection to him
and soon he is standing.........
....and walking
................................through his meadow
talking warmly
with a woman
but it is Mayahri..............
.............................not Ahlmah
.
Mayahri
.
impulses from the ivory glow
growing
fatter
then thinner ..finally
a sliver ..........of bright crescent
..............................................we are floating
..........we are wanting to disappear
we are returning .....full ....slimming
............................................away
pulling the water’s..............................
fondness onto shore..........
easily loved ..we are
........................out of reach
.
growing
fatter
then thinner ..finally
a sliver ..........of bright crescent
..............................................we are floating
..........we are wanting to disappear
we are returning .....full ....slimming
............................................away
pulling the water’s..............................
fondness onto shore..........
easily loved ..we are
........................out of reach
.
They Draw Still Closer
Pahn is driving a giant
yellow excavator
Seeing Djuturna by
his play structure he stops
his large machine
at a safe distance and
walks over to her
He is standing
beside her
Egairia
who has left her husband
is nearby watching
Djuturna’s young son
and Heemir (or Dave Van Ronk?) and others
are standing
across from them
Pahn
wants to
touch Djuturna
He is wondering
how he may touch her
in this public place
He remembers
how she has put
her hand on his arm
and rubbed his back
and so
he thinks he may also
and
reaches his arm to rest
softly
against her
He doesn’t know if that is enough
He lets his
hand slide
around her side
and feels her body rising
through his arm
to his
heart
his
hand
sinking into her
waist
He wants to
pull her together with him
but restrains himself
Over by his fence
Djuturna’s young son is climbing a ladder
Pahn is surprised
that Egairia
is letting him
climb
The toddler ascends to the top rung and
teeters
there while Egairia
lost
in
thought stares at the fence
touches
the vines on the slats
Pahn is surprised
that she is not
paying attention
and surprised
that Djuturna is not watching He sees
the boy fall
straight down to the ground
landing on his feet
Pahn steps away
from Djuturna and walks
toward
the little boy
on his way he is
taken aside by Heemir
who tells him quietly
that he is crazy
to
hold back from Djuturna
that it is obvious
Djuturna wants him
and that he is
being mean
to not let her have him
Pahn goes to the boy picking
him up
bumping the boys head against the ladder (he thinks)
But the boy is happy
to be lifted
He carries him back to Djuturna
and hearing Heemir’s voice in his ear
kisses her
on the mouth
Pahn and Djuturna
are chastened
by the intensity
of their
kiss
He sees himself
with her inside his
head
floating
in stippled
grey making love
and knows
and knows
and knows
and knows
but he still feels
constrained
to hold
her
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TABLE OF CONTENTS
- ...Logs of Sleep (intro.)
- VOLUME I
- ...Part 1: Recurring Childhood
- ...Part 2: Becoming Pahn (dei-cide)
- ...Part 3: Physical Deprivation
- VOLUME II
- ...Part 4: Aiks
- ...Part 5: Inundation (dei-genesis)
- VOLUME III
- ...Part 6: Awash
- VOLUME IV
- ...Part 7: Edge of Light
- VOLUME V
- ...Part 8: The Quality of Mercy
- ...Part 9: Filled Skin
- ...Part 10: Athehna's Sorrow
- VOLUME VI
- ...Part 11: Tectonic Touch
- ...Part 12: Dim Green
- VOLUME VII
- ...Part 13: The Affection of the Untamed (trans-dei-genesis)
- ...Part 14: A Guide to the Spirit World
- ...Part 15: Patroness of the Shy
- VOLUMEVIII
- ...Part 16: Warm Scandinavian Joy
- ...Part 17: Sending Them Flying
- ...Part 18: Roots and Molds
- VOLUME IX
- ...Part 19:
TABLE OF SPIRITS
- Ahbnoba
- Ahdahn
- Ahgreyeuss
- Ahlaveena
- Ahlmah
- Ahnaheeta
- Ahnjehlia
- Ahnkahmna
- Ahpadeyva
- Ahpsahla
- Ahshehra
- Ahsileess
- Ahstrild
- Aiks
- Athehna
- Baudahilia
- Bormahna
- Daphnis
- Deermid
- Delphina
- Dimphna
- Djuturna
- Druopohss
- Eealohna
- Eeantha
- Eendekoi
- Eeunks
- Egairia
- Ehvair
- Eiriu
- Eithnia
- Er-Illith
- Explanation of Terms
- Freega
- Galaksaura
- Gendenwitha
- Heemir
- Hehrmess
- Hendrik
- Jahneuss
- Jehmz
- Juna
- Junipera
- Khnumis
- Kohmohss
- Ku
- Kulehna
- Kwahnyinn
- Lakhehsis
- Leenaiyos
- Lehsohveekha
- Litteljahn
- Lukh
- Mahreekah
- Maiya
- Mayahri
- Mehlia
- Mehtztlee
- Meydhv
- Mookdóph
- Nomioss
- Nuneh
- Pahn
- Penelopeya
- Phaithohn
- Pholoa
- Phthona
- Piteuss
- Pluta
- Rahbin
- Rakhehla
- Sehrahahl
- Shahn
- Shocheeka
- Sihn
- Theya
- Toor
- Tsovinar
- Vehlona
- Vehsta
- Wayland
- Yahpehtos
- Yaohwa
- Zeyeuss
- Zhoonév
ACKNOWLEDGEMENTS
Some of these poems originally appeared in the following publications
Avocet
Dream International Quarterly
mojo risin'
The Muse Apprentice Guild (The MAG)
Transfer