.…on the road
with Nomioss
Ahgreyeuss is exploring the dry
and golden buckeye woodland
warm and dusty
They stop at a monument
and climb a loose path of
decomposed granite
stone steps to
a commemorative obelisk
a ruin
looking out over the
hills of fading green
and oak
into a violent distance
Remembering
the past war
they see tanks maneuvering
across a riddled plain
missiles
explode into the peaty valley floor
and Ahgreyeuss shudders at the prospect
of crossing into that scene
but his brother reassures him
turning him away
saying
“It is not for us”
Ahgreyeuss leaves his brother
walks west down the ridge
alone among stairways
olive and gray stone
He finds and greets
a ranger
guide green
who brings him to the temple columns
and leads him
inside
through a door like a tunnel
And here in the dim church
with shafts of light
illuminating dust
grand pianos are arranged
like pews
closed and soundless
The rangers
wearing black robes
performing rites like a marriage
or sacrifice
intimidating serious
possessing and regulating
access to their realm
they allow the young man to approach the altar
But as he approaches the end
of the aisle
he sees to his left
a way out
and goes to it like water
that finds its way through a constriction
Now he
is in a pale hall
like the back of an old house
used as an office
and there are two doors to consider
Behind the white one
is a universe
of old furniture
utensils
unused pianos
windows
but no way out
and a floor
too cluttered to walk
Behind the pale green door
there is a bedroom
with a woman lying in
black sheets
a nightgown
staring
light
the gentle curves of her body
showing
through the thin
and soft
films of cloth
Ahgreyeuss is looking
for the end of the building
a door
around the white walls
and bedding
and slips into the sheets
with her
Then
as he turns to hold her
the land begins to shake
and the walls to fall away
noisily
allowing the sunlight
to fill the air
revealing
the open landscape again
with no roads
or trails
And into the wilderness
becoming
Pahn
through
stony pastures
Ahgreyeuss sets out
.
.